- 8 polarizations: omni, cardioid, large cardioid, supercardioid, figure 8, reverse cardioid, broad reverse cardioid, reverse supercardioid shapes your sound: in multiple modes a polar diagram affects the recorded “space” and the final result; varying polarity are not changing the recording directivity but also changes the frequency response and the result is a sound different made with the same microphone; it is also possible to have control of the proximity effect and reduce or increase it according to your need.pure sound modeling; flexibility: creativity in recording voice and instruments; the design sent to the opening, modeling and giving of your personality to the recorded result; the very natural response and high dynamics always guarantee high technical performance; each session with lct 441 flex will be an extraordinary result
- The proximity effect under user control: by varying polarity not only varies the response in frenquence but you control the proximity effect by mitigating or pronouncing the effect according to your needs; extraordinary performance: no boundary, with 8 directionality, low noise and the ability to handle high sound pressures one thing is sure – there will be no limitation to your expression and technical performance; reverse patterns make adaptation to any socket and user interface will always be at hand regardless of microphone placement
- What comes with the microphone: lct 441 flex comes with a schock mount, a windproof, a magnetic pepper filter and a convenient carrying bag
LEWITT MICROPHONE LCT 441 FLEX
د.إ 1,469.00
With great pleasure lewitt introduces lct 441 flex, multi-pattern studio microphone of extreme purity. It follows in the footsteps of the success of lct 440 pure and contains state-of-the-art technology in a compact housing; as obviously every lewitt microphone has a unique feature, we have used our users to this for a long time; lct 441 flex is a capacitor with 1″ capsule with the possibility of choosing 8 different types of polarization (directionality) that include 3 reverse polarizations ceh give maximum flexibility to the user and an invitation to experiment; it is supplied with schock mount, windproof and a hyp filter.
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Extended high frequency response and supercardioid pick-up pattern for higher signal output, cuts through high on-stage sound levels. Smooth warm tonal response and full dynamic range, with presence lift for vocal clarity and projection. Consistent on/off axis and proximity response maintain sound quality while moving, providing greater on-stage freedom.Full metal construction and extensive suspension and shock-mounting minimize handling noise and signal interference. High output performance microphone, offering power, clarity and projection (also available with a switch: e 845-S).
The LEWITT LCT 540 SUBZERO is a large diaphragm condenser microphone with a self-noise value below the threshold of human hearing. Specialized in ultra-detailed recording, it captures every nuance of your performance. The LCT 540 SUBZERO comes with a shock mount, magnetic pop filter, windshield, military-grade protective case, and leatherette carrying bag.
The RØDE NT6 is an extremely compact 1/2″ cardioid condenser microphone, specifically designed for difficult mounting applications where the highest quality audio is required. Although clearly relevant to instrument miking, the NT6 is extremely well suited to any situation where an unobtrusive but powerful microphone is required such as location recording. The microphone is split into two modular components, joined by via a custom 3m (10′) shielded, Kevlar® reinforced cable. Featuring a gold-sputtered, true-condenser capsule, the NT6 capsule head measures 45mm (1.8”) in length and weighs only 42gm (1.5oz). The included all-metal, multi-position mounting ring provides 180 degrees of vertical rotation.
The NT6 preamp-body incorporates both a high-pass filter and pad setting. The high-pass filter can be introduced to cut vibration, rumble and undesired sounds sources under 80Hz, while the PAD offers a -10dB level attenuation, useful when recording louder sound sources.
The NT6’s small form factor make it an ideal small diaphragm cardioid microphone for use in the Mid-Side (M/S) stereo array, in combination with a figure-8 large diaphragm microphone such as the NT2-A, NT2000 or K2.
The LEWITT LCT 440 PURE is a large diaphragm condenser microphone equipped with top-of-the-line technology. It uses the same high-end components as the prestige models, packed into a sturdy, stylish, and compact housing. Capture every nuance of your instrument or voice, in any recording scenario. The LCT 440 PURE comes with a shock mount, magnetic pop filter, windshield, and protective leatherette bag.
The NT1 is a revolutionary new 1″ diaphragm condenser microphone from RØDE. Although the body of the new NT1 closely resembles the NT1-A.RØDE’s design engineers approached the NT1 as a marriage of innovation and tradition, starting with the capsule which is a completely new design. Codenamed the HF6, it is the perfect example of RØDE’s fusion of artistic design approaches and cutting-edge manufacturing techniques, and features a sound signature reminiscent of the famous microphones of old while at the same time exhibiting extremely low noise.It has been developed with a focus on detailed midrange response, coupled with silky smooth high frequencies, and warm, round, bass reproduction to make the NT1 an absolute standout in its class.
Audio-Technica’s high-performance AE4100 cardioid dynamic vocal microphone delivers aggressive sound that stays up-front in the mix. Optimized for the stage, the microphone features superior anti-shock engineering for minimum handling noise. Its rugged construction is engineered to stand up to the rigors of touring. For ultimate protection against vocal plosives, the mic’s hardened-steel outer grille is lined with fine steel mesh and a layer of open-cell foam. A foam disk positioned on top of the element assembly provides the final layer of “pop” protection.
The RØDE M3 is a highly versatile end-address condenser microphone, designed to be completely at home in the studio, on stage or on location. It is equally suitable as an instrument microphone for guitars, drums and percussion or even vocals.Featuring a heavy duty metal body and internally shock mounted 1/2″ condenser capsule mounted for end-address, the M3 can be powered either via P48 phantom power, or an internal 9V battery.
AVAILABILITY: In stock
The GX1800 Large Format Side Address Microphone captures your performance with a smooth and articulate profile. The GXL1800’s high sensitivity allows for distance miking techniques and combined with a well behaved cardioid polar pattern, helps to eliminate off axis environmental noise. Includes studio grade shock mount, tripod stand, XLR cable and foam windscreen.
If you’re looking for a pair of affordable small-diaphragm condenser microphones, take a look at the RODE M5 Matched Pair cardioid condenser microphones. These mics give you the kind of performance that will exceed what you’d expect from condensers at this price point. M5s are excellent mics for recording and sound reinforcement. They work great with guitars, percussion, strings, woodwinds, brass, and more. This matched pair is also great for stereo recording techniques.
XS 1 has been designed for first-time and casual users who appreciate simplicity, upfront vocal presence in the mix, and no complications. This versatile new microphone provides professional live sound for those getting started, thanks to its great feedback rejection and silent mute switch for flexibility and control. XS 1 comes in an all-metal housing and therefore is a reliable companion on any stage. As a singer, presenter, or entertainer, you can count on the renowned Sennheiser live sound. All you need to do is: Raise your voice.
The single-diaphragm B-1 microphone is a home recording enthusiast’s dream come true! This professional-quality condenser microphone is designed to capture your sounds with incredible realism, sensitivity and accuracy. With its cardioid pickup pattern, frequency filters and input pads, the B-1 mic is an excellent choice for any recording scenario – and rugged enough to go the distance! With a heavy duty suspension mount and windscreen included in the sleek aluminum case, the B-1 just may be the only microphone your studio will need.
Like the NT5, the RØDE NT55 is a small-diaphragm, true-condenser cardioid microphone, sometimes referred to as a ‘pencil mic’. The NT55 adds both a three position pad (0, -10dB, -20dB) and three stage high pass filter (Off, 75Hz, 150Hz), and includes the interchangeable NT45-O omnidirectional capsule. Intended for recording acoustic instruments, drum overheads, cymbals, and live performances, the compact externally polarized mic employs a 1/2″ capsule, an active J-FET impedance converter with a bipolar output buffer. Its tight cardioid pickup pattern also makes it ideal for use as an indoor dialogue microphone for filmmaking on a mic stand or boom.
Finished in durable satin nickel, the NT55 available as a single microphone or as an acoustically matched pair.



























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