CAD U37 USB Large-Diaphragm Cardioid Condenser Recording Microphone

The Equitek E50 Large Diaphragm Side Address Studio Microphone captures your performance with a smooth, articulate and true to life profile. Equipped with a 24k Gold Sputtered 34mm Diaphragm – the E50’s high sensitivity ensures even the most subtle details are captured. A well behaved Cardioid polar pattern helps to eliminate off axis environmental noise. Includes studio grade shock mount.

The RØDE Broadcaster is a large diaphragm, end-address condenser microphone designed to provide the ultimate performance for broadcast vocal applications.Its rich, full quality tailored response has an emphasized proximity effect that has made it a standard in radio stations the world over. It is equally suitable as a voice-over microphone for film and television

The Broadcaster features an internal pop filter, designed to minimize plosives sounds that can overload the microphone capsule and distort the audio output. In addition to the Broadcaster’s native 20Hz-20kHz response, a selectable high-pass filter at 75Hz is available which will prevent low end noise such as air conditioners and traffic from being recorded.

The Broadcaster features an innovative ‘On-Air’ indicator on the body that can be wired for external activation by the ‘Channel On/Mute’ function on many consoles. If not connected to a console or switch, the indicator will remain lit whenever the microphone has power.

The GX1800 Large Format Side Address Microphone captures your performance with a smooth and articulate profile. The GXL1800’s high sensitivity allows for distance miking techniques and combined with a well behaved cardioid polar pattern, helps to eliminate off axis environmental noise. Includes studio grade shock mount, tripod stand, XLR cable and foam windscreen.

The RØDE K2 is a premium valve condenser microphone featuring dual 1” gold sputtered diaphragms. Infinitely variable control of the polar pattern from omnidirectional through cardioid and bidirectional/figure-8 provides the freedom and flexibility to excel in any recording situation. High-performance specifications (including a maximum SPL of 162dB) are combined with the character and subtleties of the legendary mics of the 1950s to provide a microphone that not only provides world-class vocals but is perfectly at home recording a wide range of instruments both up-close or in a wider ‘room’ capacity.

Audio-Technica’s high-performance AE4100 cardioid dynamic vocal microphone delivers aggressive sound that stays up-front in the mix. Optimized for the stage, the microphone features superior anti-shock engineering for minimum handling noise. Its rugged construction is engineered to stand up to the rigors of touring. For ultimate protection against vocal plosives, the mic’s hardened-steel outer grille is lined with fine steel mesh and a layer of open-cell foam. A foam disk positioned on top of the element assembly provides the final layer of “pop” protection.

Like the NT5, the RØDE NT55 is a small-diaphragm, true-condenser cardioid microphone, sometimes referred to as a ‘pencil mic’. The NT55 adds both a three position pad (0, -10dB, -20dB) and three stage high pass filter (Off, 75Hz, 150Hz), and includes the interchangeable NT45-O omnidirectional capsule. Intended for recording acoustic instruments, drum overheads, cymbals, and live performances, the compact externally polarized mic employs a 1/2″ capsule, an active J-FET impedance converter with a bipolar output buffer. Its tight cardioid pickup pattern also makes it ideal for use as an indoor dialogue microphone for filmmaking on a mic stand or boom.

Finished in durable satin nickel, the NT55 available as a single microphone or as an acoustically matched pair.

With great pleasure lewitt introduces lct 441 flex, multi-pattern studio microphone of extreme purity. It follows in the footsteps of the success of lct 440 pure and contains state-of-the-art technology in a compact housing; as obviously every lewitt microphone has a unique feature, we have used our users to this for a long time; lct 441 flex is a capacitor with 1″ capsule with the possibility of choosing 8 different types of polarization (directionality) that include 3 reverse polarizations ceh give maximum flexibility to the user and an invitation to experiment; it is supplied with schock mount, windproof and a hyp filter.

The RODE NT1-A cardioid condenser microphone is one of the world’s quietest microphones, and it comes complete with a ton of essential accessories! Its ultra-low self-noise means you’ll effortlessly capture clean, clear audio. The NT1-A can handle 137dB SPL so you can be confident that even in front of loud guitar cabinets, your recording won’t distort due to overload. This great mic comes with a shockmount, a pop screen, a dust cover, an XLR cable, and more. By providing ultra-quiet operation and being versatile enough to handle a wide variety of signals, the NT1-A is an affordable studio solution!

The LEWITT LCT 540 SUBZERO is a large diaphragm condenser microphone with a self-noise value below the threshold of human hearing. Specialized in ultra-detailed recording, it captures every nuance of your performance. The LCT 540 SUBZERO comes with a shock mount, magnetic pop filter, windshield, military-grade protective case, and leatherette carrying bag.

The NT5 is RØDE’s premier small-diaphragm cardioid condenser microphone, sometimes referred to as a ‘pencil mic’.Intended for recording acoustic instruments, drum overheads, cymbals, and live performances, the compact externally polarized mic employs a 1/2″ capsule, an active J-FET impedance converter with a bipolar output buffer. Its tight cardioid pickup pattern also makes it ideal for use as an indoor dialogue microphone for filmmaking on a mic stand or boom. Expanding the NT5’s versatility, an interchangeable omnidirectional capsule (NT45-O) is available. Finished in durable satin nickel, the NT5 available as a single microphone or as an acoustically matched pair.

The RØDE NT6 is an extremely compact 1/2″ cardioid condenser microphone, specifically designed for difficult mounting applications where the highest quality audio is required. Although clearly relevant to instrument miking, the NT6 is extremely well suited to any situation where an unobtrusive but powerful microphone is required such as location recording. The microphone is split into two modular components, joined by via a custom 3m (10′) shielded, Kevlar® reinforced cable. Featuring a gold-sputtered, true-condenser capsule, the NT6 capsule head measures 45mm (1.8”) in length and weighs only 42gm (1.5oz). The included all-metal, multi-position mounting ring provides 180 degrees of vertical rotation.

The NT6 preamp-body incorporates both a high-pass filter and pad setting. The high-pass filter can be introduced to cut vibration, rumble and undesired sounds sources under 80Hz, while the PAD offers a -10dB level attenuation, useful when recording louder sound sources.

The NT6’s small form factor make it an ideal small diaphragm cardioid microphone for use in the Mid-Side (M/S) stereo array, in combination with a figure-8 large diaphragm microphone such as the NT2-A, NT2000 or K2.

The RODE M2 Handheld Condenser Microphone puts crystal-clear, studio-caliber sound reproduction in your hands! Though it gives you condenser-mic performance, the M2’s supercardioid pickup pattern and internal shockmount design makes it very resistant to feedback. It’s like having the best of both worlds onstage: the durability and dependability of a dynamic mic built into a high-performance condenser model! A locking on/off switch is handy for performers, and the effective windscreen protects the capsule while making the M2 very resistant to plosives.