Rode NTK

The NT3 is the definition of a studio workhorse. Featuring an end-address 3/4″ gold-sputtered true-condenser transducer it provides incredible detail on almost any instrument you can imagine. Intended for the studio, stage and location work, this versatile handheld, stand or boom pole mounted microphone will give great results on drums, percussion, acoustic guitar, guitar amps, piano, and all acoustic instruments as well as detailed voice reproduction when used as a handheld presentation microphone or indoor boom mic. For further versatility, the NT3 can be powered by either P48 phantom power, or via a 9V battery for situations when power isn’t available via the console or camera. Its rugged and durable all-metal body and mesh head ensure that it is well protected both in the studio and out in the field.

The C-1 microphone is a home recording enthusiast’s dream come true! This professional-quality condenser microphone is designed to capture your sounds with incredible realism, sensitivity and accuracy. With the C-1’s outstanding cardioid pickup pattern for excellent sound source separation and feedback rejection, these ultra-low noise mics are an excellent choice for any recording scenario – and rugged enough to go the distance! With a handy swivel stand mount included in the sleek transport case, the C-1 just may be the only microphone your studio will need.

The u29 side address studio mic delivers high fidelity performance for your next creative project. Equipped with a true studio grade capsule – The u29 delivers smooth, articulate audio reproduction. Outfitted with a tripod stand, mounting clip, USB cable and windscreen.

Audio-Technica’s stringent quality and consistency standards set the AT2020 apart from other mics in its class. Its low-mass diaphragm is custom-engineered for extended frequency response and superior transient response. With rugged construction for durable performance, the microphone offers a wide dynamic range and handles high SPLs with ease. The AT2020: the new standard for affordable side-address studio condensers.

The RØDE NT2000 microphone is a studio-quality large diaphragm condenser with seamlessly variable polar patterns. Its polar patterns selection, filter, and pad are conveniently located on the front of the microphone body for ease of use. Audiophile quality surface-mount electronics combined with a gold-sputtered dual 1″ capsule provide extremely low self-noise (7dBA) and a maximum SPL of 147 dB (up to 157 dB with pad fully engaged) giving an incredible amount of versatility and ensuring exceptional results.

The RØDE NT4 stereo microphone offers a perfect X/Y stereo array without the need for matched pair microphones, complex stereo bars and equipment. Simply place the microphone and capture a realistic stereo field using a single microphone.Combining an acoustically matched pair of 1/2” cardioid condenser capsules fixed in a perfect 90 degree near-coincident alignment, the NT4 instantly creates a faithful stereo array that is ideal for drum overheads, percussion, choir vocals, environmental recording and sound design in a studio or in the field.The NT4’s versatility is further extended by its ability to be powered by a 9V battery, in addition to 48V phantom power. Both stereo XLR and 3.5mm minijack cables are supplied to ensure the NT4 is ready to record to mixing console, portable recorder or camera.

Designed for critical home/project/professional studio applications and live performance, this side-address cardioid studio condenser delivers exceptional detail and low noise. Equipped with a switchable 80 Hz high-pass filter and 10 dB pad, the AT2035 handles high sound pressure levels with ease. Along with its rugged construction and high-performance specifications, the AT2035 provides an exceptional level of consistency from model to model. It comes equipped with a protective pouch and a custom shock mount.

At first glance of the NTR, you’re aware that it’s very special and unique – an intricate blend of art and science. Designed to hang in the world’s finest recording studios and performance halls equally as well as home studio spaces, its existence is a labor of love for RØDE. Every element of the NTR, from the transformer to the ribbon element itself, has been designed and created in-house at RØDE’s headquarters in Sydney, Australia. All with the aim of crafting the finest ribbon microphone available.

Sonically, the NTR is capable of reproducing unprecedented high-frequency detail and accuracy, addressing common criticisms of other ribbon microphones, while opening up the possible usage scenarios considerably. This allows it to record sound sources that usually require a more sensitive microphone element.

The versatile AT2050 provides consistent, superior performance in switchable cardioid, omnidirectional and figure-of-eight polar pattern settings. Its dual large diaphragms are gold-vaporized and aged to achieve optimum characteristics over years of use. Equipped with a switchable 80 Hz high-pass filter and 10 dB pad, the microphone is ideal for studio and live sound use on vocals, piano, strings, drum overheads, guitar amps, and more.

The B-2 PRO microphone is a home recording enthusiast’s dream come true! These professional-quality condenser microphones are designed to capture your sounds with incredible realism, sensitivity and accuracy. With selectable pickup patterns (cardioid, omni and figure eight), frequency filters and input pads, B-2 PRO ultra-low noise mics are an excellent choice for any recording scenario – and rugged enough to go the distance! With a heavy duty suspension mount and windscreen included in the sleek aluminum case, the B-2 PRO just may be the only microphone your studio will need.

With a low inherent noise of only 6 dBA and transformerless output circuitry, the RØDE NT1000 enables excellent vocal and instrumental recording. The NT1000 has also found many users who call it the ultimate microphone for overheads as well as for miking concert grand pianos. The 1″ HF2 capsule, developed by RØDE and manufactured in Australia, is elastically mounted and with a dynamic range of 134 dB, a maximum sound pressure level of 140 dBA, and a frequency range of 20 Hz – 20 kHz