Rode IXLR

د.إ 609.00


Connect your RØDE XLR microphone to your iOS device

Take advantage of the studio in your pocket, with the RØDE i-XLR Adaptor. Connecting an XLR microphone to a lightning adaptor so you can record RØDE’s signature crystal clear audio onto your iDevice is just the beginning. The i-XLR also features trimmable, zero latency headphone monitoring, a 3-metre cord and, with the RØDE Reporter App, one-touch recording. Fast, compact, versatile, easily monitored and captured: the i-XLR is a mobile recording essential.

Download the companion iOS RØDE Reporter App
Designed for simplicity, the RØDE Reporter app boasts one-click recording and pause; records broadcast quality in up to 24-bit/96kHz resolution, and longer recordings with optional variable bit-rate compressed formats. All can be shared natively across the iOS platform.

 


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The Rode i-XLR is an XLR plug combined with a compact audio interface, attached to a 3m cable with a lightning connector on the other end. You can use the i-XLR with any standard microphone that doesn’t require phantom power (so you can use dynamic and self powered mics, and the unit will supply ‘plugin power’ which is often used for headset or lavalier mics), and has a 3.5 mm zero-latency headphone output with a level control for monitoring.

Set-up is dead simple, and if you use the free Rode Reporter app on your device you can switch in a 20dB pad (in the hardware) to help it deal with shouty people, and start & stop recording by pressing the one touch recording button built-into the headphone level control.  (I’ll just mention that I have seen pictures of the i-XLR with an additional hardware switch for a 20dB gain boost; the review model I was sent doesn’t have that.)

What I like about the i-XLR is that like the i-XY that we reviewed back in issue 30, it takes care of the audio quality before it gets near the consumer electronics in the ‘phone or tablet, and then simply uses that as a storage device with some built-in control and file-sharing software. Analogue to digital conversion (up to 24 bit/96 kHz) seems to be clear and transparent, leaving you to just select the best of your microphones for the job in hand

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